A Conference for Theatre Education: For Students, Staff, and Faculty in Higher Education

Region II

 American College Theatre Festival

“I am certain that after the dust of centuries has passed over our cities, we, too, will be remembered not for victories or defeats in battle or in politics, but for our contribution to the human spirit” – John F. Kennedy

Dear Colleagues and Students,

For 58 years, the John F. Kennedy Center for the Performing Arts has been an integral and vital partner in advancing the work of the Kennedy Center American College Theater Festival (KCACTF). The Kennedy Center staff—particularly those in the Education Division, including Gregg Henry, Kelsey Mesa, Jordan LaSalle, and David Kilpatrick—have been outstanding champions for our students and extraordinary partners in the leadership and operations of KCACTF for decades. We are deeply grateful for their vision, dedication, and commitment, which have helped make KCACTF a thriving, impactful organization that has transformed the lives of students and created a community of creativity and belonging.

Unfortunately, our affiliation with the Kennedy Center is no longer viable. Due to circumstances and decisions that do not align with our organization’s values, the National Committee, which includes regional leadership (regional chairs, regional playwriting chairs, regional design, technology, and management chairs, and the building opportunity through leadership and development chairs) has voted to suspend our affiliation with the Kennedy Center. We are proceeding with the eight vibrant regional conferences as planned for 2026.

We want to assure you that this change does not mark an end—but a new chapter. The KCACTF National Committee and the Regional conferences have long been operated under a separate nonprofit organization, ACTF Management, Ltd. The American College Theatre Festival will continue, and we are confident that we can and will sustain the extraordinary opportunities, celebrations, and connections that define our work. We remain steadfast in our mission to encourage, recognize, and celebrate the finest and most diverse work created in college and university theatre programs; to provide opportunities for participants to develop their skills, insight, and professionalism; to elevate the quality of theatre produced in higher education; to champion distinguished productions of new plays—especially those written by students—as well as revitalized classics and bold, experimental works, and building opportunity through leadership and development.

The leadership of ACTF Management, Ltd. has been thoughtfully preparing for this transition and is confident in a positive, sustainable path forward. We ask for your grace and patience as we continue to plan, reorganize, and explore this new structure and national partnerships. We are committed to transparent communication and will keep you updated regularly as plans develop.

ACTF will continue to serve as a ghostlight—a beacon of joy, a sanctuary for all, and a place where every artist feels seen, safe, welcomed, celebrated, and beloved.

With care and gratitude,
The American College Theatre Festival National Committee

Festival 58 will be January 13 – 17, 2026!

Howard Community College in Columbia, MD

Conference 58 Hotel Information

Here are our Hotel Partners for Columbia! Faculty evening hospitality will be at the Springhill Suites, which shares a parking lot with the Hampton Inn. Room rates are only guaranteed until Dec 13th. 

Springhill Suites
Hampton Inn
Staybridge Suites
Doubletree Hilton

Countdown to Conference 58!

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Production Registration

Please note that registering for a response does not guarantee that we can find an available or appropriate volunteer respondent.  Productions should be entered no later than 30 days before your opening date to give everyone the best chance of having a successful response.

To get more information on Responding and Respondent Training click here.

 

2025 – 2026 Production Registration Costs

Price for a Participating Production: $400

Price for an Associate Production: $300

KCACTF Region 2 Response Session for The Secret in the Wings at Muskinghum University, OH.

  Welcome to The American College Theater Festival Region 2!

For over 50 years ACTF has supported and celebrated all things theatre at colleges and universities across the country. Region 2 includes schools and programs of all shapes and sizes in Delaware, Maryland, New Jersey, New York, Pennsylvania, Ohio, Northern Virginia, Washington DC, and West Virginia. Please explore this site to discover the many opportunities for innovation, engagement, and professional development ACTF can offer students, faculty, and staff in all disciplines of theatre.  The “about us” section showcases the dedicated team of volunteers who work hard to make all our programs a reality, without whom ACTF would not be possible.  There are a million ways to participate: follow us on all social media platforms, or sign up below to receive our newsletter to stay informed on opportunities and all things ACTF 2. I’ve loved this program and region since coming to the festival as a student and have seen first-hand the value it has provided the young artists who participate each year. I am honored and excited to serve as your current chair, and here to provide any information or support I can, (or to hear your awesome ideas) – email chair@kcactf2.org .

Thank you for your interest, your enthusiasm, and your dedication to building the future of theatre,

Cassie King

Muskingum University

Region 2 Chair

Our Commitment to Inclusion, Diversity and Empowerment

The American College Theater Festival is committed to promoting inclusion and diversity in its leadership, both regional and national, as well as in its programming. This commitment is essential to our educational mission of training and empowering the future artistic leadership in American Theatre.

 

We embrace the idea that diversity in experience and perspective makes our organization stronger and more relevant. To this end, we pledge to:

  • Nurture talent in all areas of the theater based solely on merit and achievement.

  • Promote collegial exploration of new ideas, supported by a clear understanding of long-held artistic practices, fully respecting the communicated intentions of the playwright.

  • Encourage discourse that affects positive change in the ways that under-represented groups are portrayed onstage.

  • Oppose acts of cultural appropriation and character depictions that deepen existing cultural divides.

  • Encourage production respondents to use inclusive language that affirms the variety of artistic choices generated by the diversity of perspectives that exists on college campuses across the country.